Tag Archives: terrorism

The Metaphor Translations: Terrorists

This is an occasional series on metaphors in narrative. Earlier editions focused on doomsday scenarios, androids, and monsters.

They are everywhere, plotting, planning, building in the moldy recesses of basements and garages where apparently they are never discovered until there are mere minutes left on the digital timers, receding separation between life as we know it and cataclysm. If there’s one big difference between narratives about terrorists and narratives about the previous topics in this series, it’s that terrorists really exist in the world (vampires, seriously, vampires do not exist, folks). And while I suppose it’s technically feasible that a volcano could rise up from an unstable fault line, it’s not likely to happen in the middle of Los Angeles, so although some doomsday scenarios (The Day After Tomorrow, asteroid stories, for example) are a remote, remote possibility, they’re not realistic in the same way terrorist and terrorism stories are.

Judging from the scripts, some of these narratives have wrestled with the news reports of terrorist activity and the attacks that occur across the world. The attacks on September 11, 2001, basically ended The West Wing’s idealized portrayal of White House politicking and policy making. These days Homeland articulates a reasonable take on the way in which government analysts sort through data on terrorist cells and actors, even as it occurs within a larger paranoid fantasy (i.e., anyone could be a terrorist, even your Congressman!). NCIS, and Covert Affairs cover plotlines that stretch much further from this approach, including stories with terrorists as more like love-torn stalkers with a political interest.

Whether the narrative at hand is an attempt at realism or further afield, it still presents a threat to our culture, which makes it similar to narratives that feature attacking monsters, zombies, aliens, and the like, but there is a notable difference to the fantastical tale. Typically terrorism narratives include a lot about our response as nation-states, as governments with caring and dedicated employees who are working against all odds to stop the threat (think 24, A Most Wanted Man, Spooks), and in this way they reinforce the idea that the tactics our actual governments use are good, be they waterboarding, phone surveillance, or the near-omnipresent security cameras in our cities. The sheer number of plot lines across terrorist-themed shows and movies that include phone tapping, police stakeouts, computer programming to listen for terrorist plots, face recognition software, partnerships between the CIA, MI-6, and Interpol, and so on become a kind of system of justification for presuming our government is on duty for its citizens. Sure there may be a bad apple here or there (and always the double-crossing agent to watch out for), but the narrative of the fight against terrorism nearly always ends with the agents from the government thwarting evil. Read More…

To My Future Daughter or Son

We took you to Seattle this weekend to meet up with some old friends and celebrate a union of two women we know. It was sunny if not warm, but you probably didn’t notice any of that. We’ve learned to appreciate what the late-day light looks like as it filters through a cumulus cloud and falls on gently moving water from the Pacific. We know to watch it when walking on old wood, or to hold onto a handrail as we lean over the sound and crane our necks to spy on a lone sea lion who has wandered near us and who makes us giggle as he snorts when he comes up for air.

I’m not sure about the world into which you’ll be born, and I apologize for that, little one. Read More…

Redefining Terrorism

ter•ror•ism: the systematic use of terror especially as a means of coercion. —Merriam-Webster Dictionary

ATF building in DCLet’s take a closer look at this. The goal of the terrorist is to change the operations, lifestyles, and structures of a society through fear and the use and threat of violence. The IRA hoped to “secure the independence” of Ireland by getting the populace to reject England’s rule and later, to take back Northern Ireland. Blowing up buses and assassinating royalty did change life in Great Britain, creating an entire industry dedicated to preventing damage from hand-set bombs, changing subway and roadway infrastructure, and policing. Read More…

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