Everett: Okay, Danika, first let me thank you for serving as the editor on my own novel which shall not be named—you did a great job, despite what reader Debbie said on Goodreads about there not being enough “pauses” in the story, which I suppose I should just be accountable and own as my personal failure, I mean honestly there was only so much you could do with that manuscript. I really appreciate your work!
Danika: It was a pleasure to work creatively with you, Ev. I really do enjoy story editing and wish I had more time for it. And to all possible future story editors of Ev’s out there – you would be lucky to work with someone as eager and amenable as he is. (The mutual admiration society now adjourns.)
E: So as a writer I on occasion have a story idea or a character or a scenario wander into my mind, and then an urge to explore it and write about it grows from there. Can you tell me how you came up with the idea for the faeries, or Narine, or the world they’re in?
D: Characters definitely wander, pop, float, push, tickle, and cajole their way in. I like to fall in love with characters, especially if I’m going to spend any amount of time with them. To fall in love with them they have to feel real, which to me means complex.
About 13 years ago (previous to the MG/YA fantasy explosion), I was assisting in a lovely shop full of things like incense, divination tools, Renaissance wear, dragon statues, crystal balls… At one point I realized I was surrounded by faeries. I blame it all on them, because I suddenly had the urge to write a quest story featuring faeries. But I didn’t want a Tinkerbell story. I wanted the faeries to be as complex as humans are. I wanted them to be believable.