Tag Archives: metaphors

The Metaphor Translations: Terrorists

This is an occasional series on metaphors in narrative. Earlier editions focused on doomsday scenarios, androids, and monsters.

They are everywhere, plotting, planning, building in the moldy recesses of basements and garages where apparently they are never discovered until there are mere minutes left on the digital timers, receding separation between life as we know it and cataclysm. If there’s one big difference between narratives about terrorists and narratives about the previous topics in this series, it’s that terrorists really exist in the world (vampires, seriously, vampires do not exist, folks). And while I suppose it’s technically feasible that a volcano could rise up from an unstable fault line, it’s not likely to happen in the middle of Los Angeles, so although some doomsday scenarios (The Day After Tomorrow, asteroid stories, for example) are a remote, remote possibility, they’re not realistic in the same way terrorist and terrorism stories are.

Judging from the scripts, some of these narratives have wrestled with the news reports of terrorist activity and the attacks that occur across the world. The attacks on September 11, 2001, basically ended The West Wing’s idealized portrayal of White House politicking and policy making. These days Homeland articulates a reasonable take on the way in which government analysts sort through data on terrorist cells and actors, even as it occurs within a larger paranoid fantasy (i.e., anyone could be a terrorist, even your Congressman!). NCIS, and Covert Affairs cover plotlines that stretch much further from this approach, including stories with terrorists as more like love-torn stalkers with a political interest.

Whether the narrative at hand is an attempt at realism or further afield, it still presents a threat to our culture, which makes it similar to narratives that feature attacking monsters, zombies, aliens, and the like, but there is a notable difference to the fantastical tale. Typically terrorism narratives include a lot about our response as nation-states, as governments with caring and dedicated employees who are working against all odds to stop the threat (think 24, A Most Wanted Man, Spooks), and in this way they reinforce the idea that the tactics our actual governments use are good, be they waterboarding, phone surveillance, or the near-omnipresent security cameras in our cities. The sheer number of plot lines across terrorist-themed shows and movies that include phone tapping, police stakeouts, computer programming to listen for terrorist plots, face recognition software, partnerships between the CIA, MI-6, and Interpol, and so on become a kind of system of justification for presuming our government is on duty for its citizens. Sure there may be a bad apple here or there (and always the double-crossing agent to watch out for), but the narrative of the fight against terrorism nearly always ends with the agents from the government thwarting evil. Read More…

The Metaphor Translations: Androids Among Us

Blade Runner film still/Sean YoungI’ve been fascinated by the concept of the humanoid robot, or android, as long as I’ve been reading science fiction, and fortunately there are loads of examples out there for people who find themselves fascinated by such things. Although at first it may seem like androids make a simple statement about our humanity—or lack thereof—I think there are different ways that androids play into a commentary on our species. And in terms of narrative, they’re characters, sometimes even the protagonist, they’ve been used as themes, reflections, and on occasion are the plot itself. So with a fondness for the non-carbon community, let’s look at some messages in popular culture that come from how androids have been conceptualized. Read More…

The Metaphor Translations: What Monsters Come to Kill Us

This is an occasional series on popular culture tropes and narratives. Previously I looked at doomsday narratives.

werewolves from fanpop.comIt could be that vampire popular culture is on the wane, and if so, I for one am good with it. I’ve had it with evil-possessed, remnants of humanity’s whimpering stories, or the good-girl-meets-renegade-vampire paranormal romance. There are loads more creatures, myths, and epic battles to create and explore. But underneath the cult favorites of Buffy the Vampire Slayer, Twilight, and True Blood, what do these monsters say about our fears? Our culture? I’ll try to come up with some possibilities.

So in the spirit of the Halloween season, here is a non-exhaustive list (I’ve left out aliens, androids, and machines for another post) of the beings that go bump in the night, and why they haunt us. Of course there are more ways to interpret these creatures, so if you’ve got another take on it, please let us know in the comments—I’d love to hear people’s thoughts!

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