Story Scalability
This past summer I published a short story that generated some feedback from readers, much of it the same. Happily enough, they said they wanted to see 200 more pages to the story; I’d flung a world at them that was similar to our own, but askew in several ways, most dramatically in that this world’s children all metamorphosized, sooner or later, into fantastic and mythical creatures.
Readers and publishing pros I know wanted to know why this was happening, something I knew in my own mind but hadn’t explained in the confines of the story, which only runs for 1,200 words. My goal in the story was to show the big and subtle changes that the main character—precociously named Hannah Pace—emerges with at the end of the story, but readers wanted to know what happened the next day. And the next after that. It was a flattering response. I smiled and wrote back, not communicating that this was all I’d intended. I was on the cusp of getting started on a new novel about a 500-year-old mummy in the 22nd Century (take that, genre purists), and I didn’t need ideas like lengthening a one-off short story into a long piece crowding my vision.
Well, it didn’t just crowd my plans, it upstaged them and then threw them out of the theater. Read More…
I’d been sleeping, somewhere between my cycle in fetal position and an overhead reach to stretch out my right hip because years of nursing my left knee had taken its toll on my other side. I suppose it was easy to surround me in my vulnerable state, sitting ducks and all, but I woke up to the sound of them humming. They hummed like camels and llamas do to warn off potential threats, but I guess, with their aggression toward me and all, that their motivation was somewhat different.
The tracks stretched so far toward the horizon that the individual rails merged into one point, and then they devolved into something indistinct. If men had laid down a railroad here, at some point it became lost to the wilderness. I followed the tracks, using a scrap of paper I’d received a couple of hours earlier. Edgar camped out where the tracks took on a look of modern sculpture, the result of a terrible derailing several years ago. Not that modern art was anything anyone had heard of yet. The old conductor told me I couldn’t miss it.
We drove until we reached the other side of three towns, and then pulled up to a general store. I cut the engine and Jackson and I inspected each other.
For those of you following along, here’s the latest piece I’m sharing of my work in progress.
While Dr. Stanger worked on building a crude EEG machine, I drove out to Conestoga for more information on the town and its residents. Whatever town square I’d seen was gone now, subsumed into a street grid. Only on the outlying areas were there still farm lands, but the vast majority of the area had been developed. I pulled over, seeing a yellowed sign in the window of a storefront: Historical Society. I fumbled for dimes in my pocket and bought an hour’s worth of parking time, and headed inside. An older lady with curly white hair greeted me.
Sanjay looked much older in scrubs.
Those of you keeping up with the first draft of my WIP, a YA novel about time traveling with trans themes, I’m posting another excerpt today. All excerpts have been posted in order, so to go back and read any earlier episodes, just click on the Parallax tag on the left side of the screen. Enjoy!


