The Metaphor Translations: What Monsters Come to Kill Us
This is an occasional series on popular culture tropes and narratives. Previously I looked at doomsday narratives.
It could be that vampire popular culture is on the wane, and if so, I for one am good with it. I’ve had it with evil-possessed, remnants of humanity’s whimpering stories, or the good-girl-meets-renegade-vampire paranormal romance. There are loads more creatures, myths, and epic battles to create and explore. But underneath the cult favorites of Buffy the Vampire Slayer, Twilight, and True Blood, what do these monsters say about our fears? Our culture? I’ll try to come up with some possibilities.
So in the spirit of the Halloween season, here is a non-exhaustive list (I’ve left out aliens, androids, and machines for another post) of the beings that go bump in the night, and why they haunt us. Of course there are more ways to interpret these creatures, so if you’ve got another take on it, please let us know in the comments—I’d love to hear people’s thoughts!

Network television ain’t what it used to be, which I suppose makes it something of an old gray mare. With original programming from upstart cable networks like TNT, A&E, AMC, SyFy, and USA, the low-numbered channels have seen a lot of writing talent drift away, especially as draconian managers like
Maybe it seems like just a couple of weeks ago we all celebrated Memorial Day, and then there was the end of Glenn Beck’s gig on Fox, and suddenly the entire United States was embroiled in an epic saga of betrayal and urgency, all the media trained on one subject that terrified even the most stoic among us—the Casey Anthony trial. No wait, the debt ceiling.
Season 9 of Project Runway kicked off last night and as a longtime viewer of the series, I was interested to see who would be taking a stab at fabric design this go around. This interest persisted despite
I suspect I’ve told too many people these last several months that I have concerns about being able to create a quality swaddle for our baby once it’s been born, because now I have something on the order of a dozen swaddles. If the sage green velcro-fastening fleece doesn’t work, there’s a stretchable muslin swaddler with little bees on it that all of the Who’s Who in LA are using for their little ones. If that one isn’t a good fit for our baby Houdini, then I have a broad blanket I can use, or an inspired-by-NASA breathable swath of material that one friend swears by. The only piece of equipment I seem to be lacking is an auto-swaddler, but I suppose it’s not sitting in our nursery because it doesn’t exist. Maybe I should file for a patent. Patents are all the rage right now. 
I’m old enough that I remember the introduction of “New Coke,” when the soda pop manufacturer decided to make their formula taste closer to that of Pepsi, which I find is most useful as a scrubbing agent rather than a thirst-quenching beverage. It was April 23, 1985, and while it was a little late to be included in all of the Orwellian weird events of 1984, it certainly can still be grouped into the moments we all would love to forget about the 1980s—big hair and scrunchy socks notwithstanding.


