Presiding Juror (Part 3)
In a criminal trial on television, like in a fictional drama, or a less-than reenactment, writers manufacture the building conflict and shocking revelations that are appropriate for a 44-minute show. We may see some objections or motions, usually ones that are related to the “ripped from the headlines” twist, but most we get the banner testimony from the star witness, or a sudden confession from the killer. The worst damage taken in this case in Walla Walla was an unsuspecting mailbox, so we were orders of magnitude less dramatic than the average storyline on Law & Order. But there were still moments of tension between the attorneys, who battled back and forth over a few issues like old friends squabbling over the size of a rainbow trout caught a decade earlier.
Stephanie was something of a lightning rod for the case. She was, after all, the owner of the runaway vehicle, and the individual asserting that Skyler Glasby was all to blame for the litany of crimes that took place that cold January evening in College Place. April King—I mean, Lisa Simpson’s Human Counterpart—walked us through Stephanie’s experience in the car and afterward, but it looked like the tooth-pulling experience that many parents have with their teenage daughters who answer everything with, “I dunno.” Many of Stephanie’s responses on direct were vague, spoken through clenched teeth, or told with a shrug. LSHC asked for more details, but they didn’t come. On cross examination from Downtown Julie Brown, Ms. Adele remained circumspect. According to her Skyler knew where he was going, ending up at some purpose at the old landfill site.
After the cross-examination, LSHC called her back to the stand. Read More…
He gave us a look, tilted his head to one side, and then told us we would be breaking for lunch.
It started with a perforated postcard in the mail, back in early April, saying I was on the docket for June 2013. Walla Walla’s Superior Court uses a system in which jurors need to be on call to make an appearance on any given date during the month. Opening up the sealed card, one will find a short questionnaire which is supposed to be mailed back to the court right away. It tells the court if there are dates one can’t serve (I said I’d be out of town after a certain date in June), if one is or is not a United States citizen (Susanne gets out of all her jury duty for being Canadian), a resident of the county, and older than 18. It asks if one can read, speak, and write in English (illiterates need not apply?), and asks things about whether one is currently employed, and if so, what kind of work it is. There were other things on there, but I’ve forgotten them.
The older I get, the less I realize I know. Let’s face it, it would be challenging to find me more self sure than when I was 9 years old, during which age I’d insist it was not only possible to have all of the knowledge in the world in one human brain, but also that I would accomplish the feat. Such precociousness! Turns out that knowledge gathering is onerous, filled with all this foundational base stuff before anything really fascinating comes up. Want to master painting? Here’s a lesson on perspective. Love to know French? First you have to learn elementary vocabulary and grammar rules. Nobody jumps to particle physics without first hearing about that Sir Newton dude and the apple on his head.
Nobody writes a sullen woman like Susan Jane Bigelow. Don’t get me wrong; they have their reasons for their moodiness. Stuck on something of a forced sabbatical with their repressive family in a repressive country, girlfriend unreachable, this corner of the galaxy about to get into an interplanetary war—there are a lot of stresses on young women like Marta Grayline. Bigelow settles us into the tension almost immediately with two quick flashes of prologue, and then we’re immersed in Marta’s world, a familiar story for some of us, even in this far-future science fiction setup: can I hide my queerness while I’m spending time with my relatives?
She comes in, won’t make eye contact with me. I have to hold my breath so I can make out what her mumbles mean. But before I’ve had time to process the low tones of her language, I know why she’s in my office: She wants to get tested for HIV.
Life this winter and spring has been less about balance and more about fulcrums. You know, like when you’re moving up and down a lot but not getting anywhere. At least a roller coaster has forward momentum and a few thrills along the way. A seesaw just lifts up and crashes down with a jolt at the end of each direction. Nearly all of the endeavors I’ve made since last fall have come with commensurate concussions. Case manager is leaving for a full-time job. Hire new case manager. Send in manuscript to potential agent and wait. . . finally getting rejected by potential agent (but in the nicest way possible). Move office to other side of town, deal with people yelling on the phone that the office has moved. Start new manuscript, get sidelined by a different project. Apply to literary contest, fail to make the finals. Apply to writer’s workshop with no hope of getting accepted.


