Tag Archives: writing

Honestly, Just Write and Stop Worrying

I am no stranger to anxiety. Anxiety may even be something of a close friend, but it’s one of those friends who talks on and on about themselves during your coffee date together and maybe you don’t even realize it until you’ve hugged and you’re walking home and then finally you think, “I didn’t even say that my dog died/I’m breaking up with my partner/I got a new job/something momentous and totally wortpart of an interview I did with PQMonthly as a winner of their Brilliant List awards programh mentioning.” I’ll put it this way: I hate my way through my relationship with anxiety, one miserable unwanted thought at a time.

That said, I am a product of no fewer than half a dozen terrific therapists and my neuroses are down to a dull, annoying grumble in the back of my head. I recognize frenemy Anxiety as soon as it pops itself into my consciousness, and sometimes I can stamp it out even when it’s bumbling about in my semi-conscious, because things like my body will send up an alert, and then that decade of therapy kicks in, and well, if I have to Goldberg Machine my way to functionality, so be it. It’s working for me. I’m even past the point where I tell myself to fake it till I make it. Read More…

Author Interview: Audrey Coulthurst

I had an opportunity to speak recently with writer friend and colleague from the Lambda Literary Foundation Emerging Writer’s Workshop, Audrey Coulthurst, about her new two-book deal with HarperCollins. I also wanted to find a way to communicate with the public about how much Audrey likes horses, so hopefully by the end, her potential readers are clear on that.

Audrey wearing a unicorn mask in the foothills of LA

Not exactly a muse, but close.

Congratulations on your publication news with HarperCollins! What was your path to publication?

Thank you! My path to publication was fairly straightforward. After the first draft of A Hidden Affinity was complete I spent a long time finding critique partners and revising. As part of that I participated in the Lambda Literary Foundation Emerging Writers Retreat. Studying with Malinda Lo and having a group of very talented writers discuss my work was a true gift.

Once I felt the manuscript was as strong as it could be, I entered a couple of online contests and got some agent requests through those. Then I began to query in earnest, and then a few months later my fabulous agent pulled my query out of the slush and offered representation. We made some more revisions and then she sold the book.

I should probably note that while this whole process can be summed up in a few paragraphs, it took a very long time. The first draft of A Hidden Affinity was written in 2010. Read More…

Living with Chronic Fraud Complex

I’ll be honest; I’m quite an average person. Oh I know there’s the whole transsexual thing, and the being from New Jersey thing, but regardless, I’m not especially bright nor talented, I have not accomplished a single push-up since 2004, and I waste a ton of time on the Internet. (I did quit that bad Farmville habit, but that’s another story.) I am middle-class, middle aged, pretty much white, male, college educated, opinionated, obstinate, fat, and okay with a sense of comic timing. I manage to remain partnered, I’ve got two terrific children, a mid-range house, a paid-off car, and dreams of a hot tub installation in my future. There is nothing exceptional in any of that, save the partner and children who are measurably and demonstrably superior in many ways. I on the other hand, am pretty good at cobbling dinner, wiping away poop, and figuring out how to soothe my children. But on any given night I may burn the potatoes and overcook the chicken, get shit on my hands and the wall, and wind up bouncing a screaming baby for twenty minutes in an attempt to suss out the problem. In other words, having some success does not in any way preclude future failure. I try on a frequent, regular basis not to attach my ego to my successes or my failures and to keep outcomes away from my sense of self, should I fall victim to an overinflated vision of myself or reach a state of disquiet desperation at my gross ineptitude.

If one only knew me from my public persona—which I have half-assed crafted at the behest of my publisher and a myriad of publishing industry experts, in an attempt to fashion the proverbial “national platform” necessary for author stardom someday—one would think my life is an exercise in perfection. There are the adorable cherubic children, the very cute home, the published books and essays, the leadership title in my online input field for occupation. All of that is absolutely true, and I am proud of my family and friends and where I find myself at this point in my life. It is, however, a curated list of high points. Not posted (in part because I disdain the whiny FB post on principle) are all of the mistakes I replay in my mind throughout the day, whether they be a driver unhappy with me or an argument I had twenty years ago. Also not presented in most public forums are the mantras from my inner critic, my sadness that I’m not on an upwardly mobile career track, my frustration with my creaky knees, and my nagging sense that I deserve all of the rejection slips I get after applying for a grant or to a literary journal. I often realize, with stunning newness, that nearly every other writer I know is more talented than me and writing something more interesting than I am.

There is no point in entertaining these destructive notions more than I do already, so I corral them off of the Internet for the most part. This means a couple of things, namely:

  • I feel like a fraud to some degree, every day
  • I have lots of coping skills for life while feeling like some degree of a fraud

Read More…

Bad Dates

UPDATED: SUBMISSIONS DEADLINE EXTENDED to March 15, 2015! Now get those submissions in!

I meant to construct a web site to announce this, and I meant to announce it with more pomp and circumstance, or fanfare, or something, but whatever, I’m busy and you all know how to respond to a call for submissions. So, without further ado: bad dates screen shot from Raiders of the Lost Ark I’m honored to announce that I’ll be editing a nonfiction anthology entitled Bad Dates: Hilarious Tales of Queer and Trans Romance Gone Wrong. We’re talking mortifying but funny, like flipping off a person on the subway who cut in front of you and then realizing they’re your blind date for that night. Or learning the date you thought was a fellow vegan has brought you to a pit barbecue fest, or the old school queer standard, winding up on a date with your ex’s other ex and trying not to let the conversation get swamped into shared tales of those relationships. Submissions should be:

  • In .doc, .docx, or .rtf format, using standard manuscript format
  • Maximum of 5,000 words, but shoot for 3,000-4,500 (and yes, 5,100 words is over the maximum)
  • Free of sexism, trans misogyny, homophobia, racism, classism, ableism, just generally not douchey or reliant on offensive stereotypes of people on the margins
  • Showing your name and contact information (which is in the standard manuscript format, but whatever, it bears repeating)
  • Focused on queer and/or trans people as the main characters in the story
  • True stories that happened in actual life, or like, we can’t call the book nonfiction
  • Funny or have a humorous aspect to the story, or else the subtitle won’t be very accurate

No reprints, please. Unpublished work only. Submitters should also include in their submission a maximum three-sentence bio with any relevant publishing credits. Submissions are due by February 14, 2015, because… oh come on, I don’t need to explain why that’s the deadline, right? Please send in your best work! I’m so excited to read your stories. Submit your stories to:

BadQTDateBook@gmail.com

In Honor of the Closing of a Lesbian Bar

Here’s an old short story of mine about another lesbian bar from upstate New York. Those of you who recall My Bar may find the setting somewhat familiar. I hope you enjoy it.

8 Ball, by Everett Maroon

It’s about the size of a typical urban efficiency apartment, with a faded certificate of occupancy stuck on the wall by the front door, probably with some bouncer’s chewing gum, announcing it is fit to legally house 35 people. Thirty-five dyke pygmies, maybe, but not 35 wide-assed people. Smoke hangs next to the low ceiling, hovering around the light over the small and slanted pool table, a cheap but efficient way of adding a dramatic atmosphere to both the serious and poseur sharks who swim underneath it. Most of the patrons use pool-playing as a tried and true method of picking up dates, but this usually leads to them slamming the stick into the cue ball too hard, ricocheting the shot out of the hole and ending in a staccato set of swears as they express their “disappointment.”

My friends and I have just entered the place for the third time in five days because one of them has a new crush on a townie who usually hangs out here. Usually, however, being the relative term that it is, has not included any of these three nights, and has led directly to my frustration at winding up in this dump once again, cheap beer or no cheap beer.

The bouncer, a woman who seems to value herself based on her ability to be serious throughout all moments of the day and night, claps a meaty hand on Joselyn, the friend with the crush. “How’s it goin’, Jos,” she says, deep-throated and completely absent of any hint of a smile. She is the female version of the Michelin man, having obviously taken the name of her profession to heart. For over these three engaging encounters at My Bar, I have witnessed no fewer than six, count them six, bar fights, the resolution of each ending with her not man-handling the offenders (for that would never happen in a lesbian bar), but by bumping into them and pushing them out the door.

“Great,” says the newly named “Jos,” and we head inside. My Bar, doing its part to encourage patronage of a classically poor community, has no cover. Small rodents didn’t even bother to come inside in the dead of winter, so the owners justifiably decided against asking for any kind of entry fee. Read More…

Questions Answered About My Writing

Cooper Lee Bombardier tagged me in some author chain mail thing, and normally I’d avoid a meme but first, he’s a really nice fella, and second, it’s about writing, so heck, I could bloviate about that all day. Here are my answers to four questions he posed:

1)     What are you working on?
I’ve got several projects right now; in all honestly, probably too many. But here they are—a novel about four different gender non-conforming people from different eras in the United States, who by chance come together to build a high school for queer and trans youth. I’m trying to look at LGBT generationality, invisible history, the fracture lines across our communities, as well as more general themes of redemption, struggle, the fallibility of memory, and what indebtedness we have to each other.
I’m also in the middle of revisions to my followup memoir, Bumbling into Baby, which as it sounds, is about Susanne and my attempts to start a family. It’s told in the same tone as Bumbling into Body Hair, so it’s a humorous story, even as it makes some criticisms of the medical system, reproductive politics, and ideas about family.
And then I’m working on a non-genre short story about a trans man with Alzheimer’s who forgets he’s trans. This is a story I’ve wanted to work on for a long time, and I’m writing it in reverse chronology (apologies to Chip Delany, who loathes structures like this). I’m not sure which market will work for it, but right now I’m just focused on the story and the writing.

Read More…

Quick Stop to DC, or How I Learned to Anticipate Gentrification

trans character writing panel imageI just jumped into DC this weekend after an absence of a few years, taking a quick flight from Detroit while we’re still on vacation to attend an LGBTQ book festival on U Street. It’s been truly fantastic to see old friends and have the kinds of sincere conversations that are hard to find with people one meets in one’s forties instead of in one’s more vulnerable youth. I suppose we erect sturdy fortresses in the interim, but I’m not sure why or if that’s helpful for us.

The OutWrite festival was successful, and here it is only in its fourth year. It would have been nice to know before I left Walla Walla that I’d be responsible for bringing my own books to sell, because then I’d have had more than my reader’s copy with me. (Crossing fingers the Internet pulls through for me and people shop online to get them.) I was grateful to see so many familiar faces, people I’ve known from when I lived in the District and did earlier activism there, and get to meet some new folks who are doing interesting work in LGBT literature. Read More…

Notes from the Writing Trans Genres Conference

I like to write up my thoughts as I’m attending a conference or just after I walk away from it, while the plethora of conversations are still swirling around in my brain. It’s a little reminiscent of how I studied in primary school, by taking in as much of the school day as  Icould and then writing up my notes later. Maybe I need to move my fingers around to set the thoughts in place, I’m not sure.

I just finished up my participation in the Writing Trans Genres conference in Winnipeg, Manitoba. There were at least four generations of trans authors and thinkers there, maybe 250 of us, roughly. At least it felt like a quarter of a thousand. I didn’t do a head count and I didn’t ask the organizers. I didn’t want to miss even a moment of it—unlike truly humongous conferences like the Popular Cultural Association Conference or the BookExpo, where there is no hope of going to every panel, this was more intimate and almost comprehensible in scope, until people started talking. At that point there were so many ideas all in one animated stream that it took a lot of energy on my part to keep up with the conversation and concepts. But maybe I’m just an exhausted parent of two kids under the age of three. This conference was marked by several laudable characteristics not commonly found at conferences: Read More…

The Thing About Writing a Book Series

little box writing a letterThe Unintentional Time Traveler may be my debut novel but it is also the first in five planned books about Jackson Inman/Jacqueline Bishop and their adventures. I’ve taken the long game approach and drawn out the character and story arcs for the protagonist(s), and mapped out the antagonists for each episode in the series (there will be a continuing villain and a “local” antagonist specific to each). Despite my best laid plans, I’m prepared for the story to veer a bit from its supposed trajectories. Back in my project management days, I would have called this tendency “scope creep.”

Nowadays I’ll just say that it comes with the territory of the subconscious—because some significant percentage of my creative writing process is done by the characters themselves. Or maybe the tips of my fingers have their own intentions. Or maybe what Chip Delany refers to as the “dark matter” of his mind is a thing that happens for other writers, too. I was working on a completely different project a few weeks ago—an ensemble novel about four gender non-conforming people from different eras who come together to build a high school for queer and trans youth—when I realized the scene was getting away from me. As if I wasn’t my own person, I was typing out that the character was getting in someone’s face in a law firm, and then security showed up and hauled him away, his shoes leaving temporary scrape marks in the beige carpet. Wait, what? That’s not how this scene goes. That’s not what I architected to happen. And I’m the creator of this little universe, correct? Read More…

Transience

It’s an obvious statement to declare that I’m tired. I still get hammered with rapid-fire thoughts but the parts of my body I use for speech can’t keep up, so I wind up cutting my sentences short and fingering the lid of my iced mocha. I’m living at DEFCON 3 of irritation. Things like red light runners, people who take up spare seats next to them with their possessions so nobody else can sit down, line cutters, are all a hair away from my personal rendition of the riot act. No, you can’t put your plate of crumbs on my table at the coffee shop. Gee, I would rather you not drive in two lanes or loud talk your way through the produce aisle as if I care about the conversation you’re having with your invisible Bluetooth friend. I marvel that we’ve gone from Copernicus to nanotechnology in less than a millennium, but I’m a little perplexed that we use our progress for cat videos and Katy Perry. (No offense to Ms. Perry. Your video with Elmo is adorable and it keeps my toddler happy for two minutes and forty-one seconds.)

There’s an upside to having scant shreds of time for oneself and limitless aggravation, however. Priorities are quickly reset. Relationships, ranked. Anything lower than say, dedicated hobby, is truncated right off the schedule. Annoying people, curtailed. Poof, gone, vamoose. Bye Felicia is spoken to anyone who isn’t long-term important. And conflicts, when one needs to have them, are over in short order. Don’t process with me as you argue, because I’ll cut to the base issue. Dang, if only this had been my strategy when I was 23 and not 43. I could have lived a couple of additional lifetimes or something, with all of the saved time.

Limited time has also sped up my writing process—when I can get my brain to work well enough to generate writing, that is. But if the circuits are firing, I find I’m not dilly-dallying with junk like Facebook and email, I’m just writing. I carved out three new story arcs for my time travel series this week (Note to self: negotiate with publisher about the series) and got restarted on writing those 10,000 words I lost when my hard drive died last month. I don’t know when I’ll have a steady block of writing time again so I WRITEWRITEWRITE whenever I have the chance. Tomorrow may not show its face. Write when you get the chance, Maroon. Read More…

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